Senior Thesis Page

The Myth of the Audition
Mechanisms of Mobility into and within the New York City Dance Labor Market
By Hana Monroe Goldstone (Spring 2014)

A Giselle for Our Time:
Mats Ek's Post-Structuralist Approach to Romantic Ballet's Pathologized Dancing Female
By Katherine Bergstrom (Fall 2013)

Dance Movement Therapy for Austism Spectrum Disorder?
An Investigation
By Sonia Neuburger (Fall 2012)

Genuine In A World Of Phonies: Dance In J.D. Salinger's The Catcher In The Rye
By Garnet Henderson (Fall 2012)

Drifting West: How The Presence of an Indian Diaspora Has Changed Bollywood.
By Rachel Turner (Fall 2012)

Mirror Neurons and "Mirroring": The Missing Scientific Link
By Mansi Vira (Fall 2012)

Moving In The Myth:
Modernism in Marth Graham's Night Journey and Hilda Doolittle's Helen In Egypt.

By Adrianna Aguilar (Fall 2012)

Confronting the Boundaries of Art and Recovering the Futurist Legacy:
The Futurist Avant-Garde and Avant-Garde Dance of the 1960s

By Alexandra Duffey (Spring 2010)

Carmen Miranda and Cultural Exchange. In the Era of the New State and the Good Neighbor.
By Alicia Outing (Fall 2010)

The Coefficient of Friction of the Pointe Shoe and Implications for Current Manufacturing Processes
By Glenna Clifton (Fall 2009)

A Time to Mourn, With No Time To Dance: The Lineage of Biblical Justifications for Anti-Dance Sentiment from Post-Reformation Europe to Nineteenth-Century America
By Julia Bloch (Fall 2009)

No to No: Trisha Brown, Lucinda Childs, and the “No” Manifesto
By Sharona Kahn (Fall 2009)

All Bodies Are Created Equal. Uncovering Reasons for the Under Representation of Black Ballerinas in America
By Shanice Naidu (Fall 2009)

Dancing for the Deity: Remapping the Black Female Body through Spiritual Movement in Brazil and the United States
By Tara Willis (Fall 2008)

Sacred Movement: Dance as Prayer in the Pueblo Cultures of the American Southwest
By Sarracina Littlebird (Fall 2008)

Composition And The Artistic Icon:The Beauty, Mystery, And Legacy of George Platt Lynes' Dance Photography
By  Michael Novak (Fall 2008)

Writing Nostalgia:Dance Criticism at the New York Times in the Age of Internet Journalism
By Leslie Berman (Fall 2008)

Images of a Decolonizing India: Bollywood’s Tawai’f and the Postcolonial Muslim
By Leda Ward (Fall 2008)

Importing Ballet to the West
By Camile Avestruz (Fall 2008)

Integrating Dance into the Public School Curriculum: Embracing the Complexities in Order to Gain Acceptance
By Emily Bickford (Fall 2008)

Meredith Monk: Between the Cracks
By Hadley Smith (Fall 2008)

A Phoenix Rising from the Ashes: Self-Expression in the Work of Rudolf Laban and Mary Wigman during the Weimar Years
By Kelly Rodal (Fall 2008)

Newfound Rituals:Music and Movement in Pina Bausch’s and Shen Wei’s Rite of Spring
By Johanna Morris (Fall 2006)

The Master of Rejection: Tere O’Connor as a Representation of the New Postmodern Choreography in New York City
By Noa Mark (Fall 2006)

Understanding the NEA Crisis of 1990 through the Work of Tim Miller
By Natalie Arellano (Fall 2005)

Royal Hawaiian Dance: How Hotels Commodified the Hula
By Molly Brush (Fall 2005)

See more Senior Theses on the Columbia Academic Commons website